During this lull in Sherlockian movie or TV viewing (
Elementary had a rerun over Thanksgiving) I am trying to catch up on Sherlock Holmes films I have either not seen at all, or it has been a while since I viewed them.
These last few days I have been able to watch
Murder by Decree.
I was inspired to watch this one at this time from a positive review I read on another blog.
Murder by Decree came out at the end of an era when it seemed the only Sherlockian films or shows being offered were those done from original screenplays or novels or pastiches written by others, and not really being very Canonical. Sure, all the things the public has come to expect in habit and appearance in Holmes would be present, but most of the stories would have nothing but a vaguest nod to Doyle.
Murder by Decree is commonly linked or compared to
Seven Percent Solution and
The Private Life of Sherlock Holmes.
Where I had not expected to like either of those two films, but came away liking both of them, I went into
Murder by Decree expecting to like it, but came away disappointed.
Murder by Decree has Sherlock Holmes getting involved with the murders perpetrated by Jack the Ripper.
He is not asked to participate in the investigation by the police but rather by seemingly concerned citizens of White Chapel. Most of it takes place at night, or in dark buildings or foggy streets.
I liked the sets for the interiors of Baker St. and several of the other location interiors.
Baker St. as shown in the movie could represent most Sherlockians image of that fabled dwelling.
Where the movie went inside for other scenes, the locations or sets were well chosen.
However, too much of the movie took place in foggy streets and narrow alleys. While it is probably true that most of the crimes took place in those settings, I doubt if most of the investigation did.
The film was full of very notable actors, but unfortunately they were not used to the best of their abilities.
The wonderful Christopher Plummer played an at times overly jocular Holmes who would just as quickly become too introspective and melancholy. I think Plummer had the ability and the presence to make a great Holmes. His looks were good, as was his stature, but he was asked to play a rather to emotional Holmes.
As he was probably directed to do, he unfortunately only had one set of clothes to wear in just about the entire movie and if the film had been made as the
Hound it would have been OK. But set in London, the iverness and deerstalker were well out of place. Probably done out of the need to convince the viewers that it was a Sherlock Holmes film.
Plummer's Holmes, when lost in thought, seemed more to be thinking how dismal things seemed, rather than concentrating on the case.
When Sherlock was needed, at the end of the film, to deliver his case before the high authorities his character no longer had the presence to seem commanding or compelling.
Now, James Mason is one of my favorite actors of the period, and I expected him to make a great Watson.
If we were to just go by appearances for an older Watson, he really did fit the bill.
But in many ways the Dr. Watson he was asked to play almost out 'Nigeled', Nigel Bruce's Watson.
He often seemed slow witted and bored and mismatched for the great detective, seeming to be uninterested in the cases and reluctant to have to follow Holmes again.
One reviewer praised his performance for, at first seeming to be slow and dim witted but coming through in the end. Well, we expect that from Watson, and Nigel Bruce's Watson did very much the same thing. (He showed no reluctance to pursue Seldon in HOUN). Although Bruce's performance is often criticized, his Watson was also never a coward. If anything Mason's Watson may have been even more expressionless than Bruce's.
Donald Sutherland for the most part played a lethargic mystic who's involvement in the story was very unnecessary, delivering his lines as if about to fall asleep.
Susan Clark was unnecessary, and her part was also over acted. (My goodness woman! Tell Holmes what he wants to know.) (The scenes where her character was murdered were appalling, not because of the graphic nature of the crime, but the cinematography.)
The lovely Genevieve Bujold was underused and her part was also over acted. (no wonder Plummer wanted to strangle someone at the end of it.)
David Hemming probably gave the best performance as Insp. Foxborough.
The film had a very overly dramatic feel of an early BBC production, with out needing to be. (Look at the scene where Plummer and Clark are chased through the alley by a coach that is only a few dozen feet away, all the while going full out to catch Plummer and Clark, yet takes ages to do so. And we can't forget when a coach was called a hansom.)
The gathering of clues and deductions where almost nonexistent and how Holmes got from 'A' to 'Z' was never clearly outlined.
Mostly we were just given the stereotypical caricatures of Holmes and Watson with no Canonical substance.
Where I can see myself watching
Seven Percent Solution and
Private Life of Sherlock Holmes again, I can not say that for
Murder by Decree.
I don't think Plummer or Mason where necessarily miscast as much as misdirected.
And, of course, this is just my opinion and just for fun and to keep us '
Playing the Game'.
What do you think?
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